MAH | Mary Addison Hackett

MAH | Mary Addison Hackett

  • Photography / Video / Installation
    • Current
    • It all ends in biscuits and wine
    • Evidence
    • Anonymous Was a Vlog
    • The Tenderer
    • The Resident
  • Paintings
    • 2017-2020
    • My Work Here is Done
    • A Tin of Egyptian Cigarettes
    • Crazy Eyes
    • Le Rayon Vert
    • The Kitchen Paintings
    • Shell Game
    • Suitcase Paintings, 2010-2012
    • My Work Here is Just Beginning, 2011
    • Self-portraits
    • Pools and Flowers, 2008-2011
    • I forget now what all this is about, 2006-2009
  • Works on Paper
  • Bio
  • News
  • Statements
  • Contact
  • Published Writing

Selected Arts Writing & Essays

 

Two Coats of Paint

  • Radical reorientation: Rural life, politics, and a pandemic in Joshua Tree
  • TEXTING:Julia Schwartz at LA Visitor Welcome Center 
  • Made in LA: The personal is political
  • The Desert is Not Barren, 2: John Plowman and Bernard Leibov at BoxoPROJECTS
  • The Desert is Not Barren, Part 1
  • Street Smarts: Charles Goldman at Songs For Presidents
  •  Report From Miami, Day 1: Basel
  •  Final Miami Round-up


Locate Arts

  • 15 Questions for Abigail Lucien


Nashville Arts Magazine

  •  Forged by a Creative Community  

    

Nashville Scene

  • PhotoNOLA and The Big Easy
  • Miami, Day 2: Daniel Heidkamp, Cordy Ryman, Fahamu Pecou and More
  • Miami, Day 3: David Lusk Gallery, Keith Mayerson, Julian Schnabel and More
  •  Miami, Day 4: Claire Sherman, Enrique Martínez Celaya, Joel Kyack and More​
  • The Studio Visit Films: Meg Madison (video)
  • The Studio Visit Films: Jodi Hays (video)
  •  The Studio Visit Films: Mery Lynn McCorkle (video)






© all content, Mary Addison Hackett, 2020

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